COVER ART
emotions—both the positive and, especially, the darker feelings we hide deep inside. From the time we are born, we are taught
not to cry, a foolhardy attempt to stop us feeling any negativity. “Don't cry,” “don't get angry,” “don't feel insecure!” How can we interrupt these natural feelings we are born with, that we experience just as deeply as happiness or joy? I have always wondered, if we are only taught to embrace the positivity in us, where is the balance? In each piece, I try to encourage the viewer to appreciate and understand the emotions. At the beginning of every illustration, I develop a start drawing, as the whole illustration needs be cohesive with the initial idea and feeling I wish to convey. My work tells a story that makes viewers wonder, that sparks a discussion, and that has a soul of its own. My intention is to show characters and elements taken from reality and merge them into a bizarre and fanciful world—an exploration of different human emotions intertwined and bursting into botanical bloom. Nature, for me, captures the truth and liberation of the mind. The unusual combinations can contrast or harmonize, sparking the viewer's own interpretation, which is the beauty of art. Setting my ideas down on paper, creating something startling has always been really therapeutic. For me, the possibilities of One of the main parts of my creative process is to search
close to reality. Understanding the structure of the species is very important in the composition and concept creation, as each has unique characteristics that can contribute to the texture, color palette, and form of the piece. Just think of the roots, leaves, fruits, and even the smallest shoot—each has its own character and personality. The pollinators are not exempt. In fact, they have a
very important role in the piece. They are represented in an ethereal, almost imperceptible way. A subtle appearance that is slightly lost in the entire composition, forcing the tiny character. This acts as a little reminder of the silent work that these wonderful beings do for our planet. When I started this art journey, I sought self-healing;
really liberating. It was precious for me to have the opportunity to connect with other artists, scientists,
This image: The artist’s series
Embracing Yourself. Opposite: Four different images from the Moody Food series.
naturalists, and daydreamers, who share related passions. And I learned from them as well. I never expected people to connect with my pieces. Many of them shared their personal stories about mental and environmental awareness, which touched me deeply. Such a response really puts in perspective how strongly
messages can be conveyed through content: If my work has the slightest power to convey any awareness to start being kind to yourself and to other beings, then I will use this passion as an echo that allows people to hear their inner
Claudia Moreno is a self-taught artist in Peru. If you would like to learn more about her and Qumir Art, find her online at: Website:
www.qumirart.com Facebook: @
qumir.art Instagram: @
qumir.art Buy me a coffee:
www.buymeacoffee.com/qumir
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