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Brad Brewer and the Crowtations (from left to right), John Jay, Fast Eddie, Otis, and Junior. Photo courtesy of Brad Brewer


our cultural experiences and outlook. For example, our approach to skin color was an artistic element that touches on an often- unspoken subject of race in puppetry. With few exceptions, for the most part, African American puppet characters have been painted with a singular, dark, burnt umber hue. However, our characters have always represented the wide range of skin colors


that are found in Black people in real life. Happily, this varied representation of skin tones made for an interesting and colorful imagery that enhanced our productions. Ironically, this sensitivity to skin color, as well as facial structures and hair textures, also allowed us to explore and present a more diverse imagery of continued on next page


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